It is pure love expressed through your instruments. Where others in his place would perhaps fall in the trap of self-glorification, Pedro straightforwardly acknowledges that the merit is due solely "to The One that gave me the gift". In his own words he is "in the 'business' of following orders from Above". He knows that each one of them demands a lifetime of well focused, concentrated dedication, yet he keeps going after them with stubborn single-mindedness. The pursuit-in a real, not superficially/simplistic way-of so many 'different' musical directions allowed him to achieve a 'voice' that is richly unique & personal, yet anchored by realistic humility. These have resulted in unique instruments-thus, sonoriries-unavailable anywhere else in the world.
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Peter Hoekje, Phd)- resulting in making more than 100 instruments -as well as many custom-modified mouthpieces & other especific components. He not only studies their traditions, but also has done serious acoustics research with remarkable acousticans (like Dr. James Newton, from the Brazilian genius composer & multi-instrumentalist Hermeto Paschoal to the Middle Eastern nay flutes, he studies and 'digs' them all, out of sheer admiration & profound respect. On to improvise over Jazz standards, performing in deep musical understanding from Bach, to 'Charanga', to electronicca & computer-based interactive music,to the South-American kena going from the Armenian duduk to the Australian didgeridoo, to wind synthesizers from Mozart to Coltrane, from Indian Ragas to traditional evangelical Hymns, from the traditional Cuban flute of José Fajardo to the endless flute & compositional world of Dr. It is not common-in our times of 'doing-one-thing'-specialists-to find this sort of 'musical pentathlonist', someone that can go from sitting in a classical Symphony Orchestra, to playing a solo-flute recital, If we add to this his musical knowledge & technical command in the 'reeds' world- music woodwinds and wind synthesis we find a remarkable, deeply committed artist truly consumed by what he defines as "his Calling". As a flautist alone, for example, he can "wear" the solo-recital, symphonic, jazz, pop, studio musician, Latin, world-music, and contemporary/avant-garde "hats" with profound stylistic appropriateness, changing from one to the other with effortless flexibility, in a natural way that is indeed-and without a doubt-extremely rare. There are others that pursue more than one musical direction-beyond the traditional WWs doubling-while going after many of them as if they where their only activity. There are extraordinary flautists, phenomenal saxophonists, marvelous all-around woodwind players, amazing masters in flutes and woodwinds from different cultures of the world, and they all are absolutely powerful at what they have specialized in.
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Talking about woodwind players, we live in a time of both extremely high musical level & technical command in instrumental music.
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Eustache: a new direction in creative multi-Woodwinds Performance